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Welcome to the official Distractions website. We will be aiming to record the history of one of the greatest, but least heralded, of all Manchester beat groups.

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Sunday, June 18, 2017

Do you want to record for Factory?

This is the second half of the wonderful April article by our good friends at Fishrider Records. While part 1 focussed on the new album, this takes us back to Manchester, late '70s...
Dunedin, New Zealand

The Distractions - “Kindly Leave the Stage”


Steve Perrin of The Distractions, recording 'Kindly Leave The Stage' in Exeter, September 2015



Steve Perrin on the Manchester post-punk scene in the late 1970s…
“It was a much more diverse scene to start with than people seem to give it credit for in retrospect. In retrospect everyone’s got a leather jacket and spikey hair, whereas if you’d taken photographs of the initial line up of Buzzcocks, The Fall, us, Warsaw or whatever we all looked pretty different and we all played pretty different kind of stuff but we just happened to be friends. We knew each other and played on the same bill and people didn’t have a problem with that. People didn’t seem to think it was odd that us, who were basically a pop band, sang love songs, were supporting The Fall who were a different proposition altogether. That didn’t seem strange.”
…and on how The Distractions were signed to Factory Records in 1979
“Tony Wilson rang my Mum, and I was not around, so I got home and she said “Peter from The Buzzcocks and that Tony Wilson off the telly have been on the phone”. She just got used to that sort of thing. Tony was very good with people’s Mums. He could be very charming.
Then I spoke to him and he said “we’re really interested in doing something and you’re going to be single of the week in the NME.” I thought he was a bit mixed up, because what had actually happened was there was a review in the NME by John Cooper-Clarke [of their first EP on TJM Records], which was a very short, positive, short review, so I thought maybe he’s had a drink or something. And what had happened is he’d spoken to Paul Morley who had told him that he was not happy with the John Cooper-Clarke review and he was going to review it again next week and make it single of the week that week. So that was that. And he said “Do you want to record for Factory?” and we went “Yes, we do”.”
“Time Goes By So Slow” was released in September 1978, catalogue number FAC12. FAC 13 the following month was “Transmission” by Joy Division.
Mike Finney, The Distractions, NME

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