Tuesday, December 14, 2010

The globe's most unlikely pop stars

The second half of former Island Records Head of Press Neil Storey's terrific piece on The Distractions; this one bringing us up to date...



Fast-forward thirty years and a little bit. 

In the postbox are two card-sleeved CDs which, to be totally honest, I’d entirely forgotten were being sent. Yes, I’d been told that they were being mailed but, in this digital day and age, one is more used to ‘I’ll send them in the post’ meaning having one’s email in-box clogged with file-attachments that nestle up to solicitations suggesting I’d benefit from penis-enlargement than actually getting hold of the actual, physical… real thing… itself. 

So… here they were, these two CDs – staring up at me from inside their dirt-brown Jiffy bag – that represented this group’s first new recordings in… twenty-five years or so. I gazed at the two sleeves – perfect little works of art in themselves – suddenly realising that I’d become just a little nervous for the music they contained. 

Yes, the seed of doubt had taken hold – would these match up? 

It’s all very well to hope, to hark back to those original recordings that remain as fresh today as when first laid down. But… would this just be a case of the two key components of a band giving it one last forlorn shot when really, they shouldn’t have bothered with booking the studio time? Only one way to find out… 

That first moment of jangling guitar should have told me… the first moment of that voice certainly did. It has matured – and is now a subtle mix of summer sunshine honeydew melon infused with rich molasses; perhaps (quite possibly) a smattering of Smokey Robinson by way of Darryl Hall in there too… embracing yet not overtaking the space within the chord progressions. Here it was: three chords and the truth – alchemy within a melody pool. 

But, above all… it’s all about the songs; and there are tunes here that are absolute, stone-ground, classics. 

Yes, I know very well that that is a ridiculously over-used adjective, especially when used in a descriptive manner, nestled up alongside songs. But… you’ll have to trust me here. Really... you will. 

Still unsure? OK… for the hard of accepting, lets put it this way: IF Jarvis Cocker had penned either Lost or Nicole, then the world of critics (swiftly followed by the public) would be all over ‘em like a cheap suit, claiming they were two of the great – lost – British pop songs. 

Let us celebrate then: the globe’s most unlikely pop stars are back and… within the all-pervasive X-Tractor climate, my iPod is thankful that Father Christmas has dropped down the chimney a little bit early. So… why don’t you make yours a happy digital-download-device… put aside the mince pies for just a few moments and do the right thing… OK? 

Because… my Lords, Ladies, Gentlemen and other readers of this little Voltaire out on its windswept grassy knoll on the world-wide-Prairie … please charge your glasses and welcome back… The Distractions.


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