Part One of Everett True's (Jerry Thackray's) early, idiosynchratic yet compelling review of The End Of The Pier at Collapse Board:
Song of
the day – 473: The Distractions
I’ve been
meaning to write about this album for a while. You see, it’s not nothing to me. A new Distractions album (the only other one came
out in 1980, and it helped my lovelorn self survive two summers and
the heat beyond). There’s no call for it to be good, to be
anything other than a renewal of old bonds, a reiteration of the
faith, a whisper of the past. And in many senses it is. And in many senses
maybe that’s all it is. But maybe that’s enough for my fragile 51-year-old
self, that it’s no use pretending this music doesn’t hold power over me, a
power that is all the stronger because of the drip-feed of familiarity. I don’t
want to lose my fondness for the new, the thrill of the chase – Peel alone
knows I don’t want to lose that – but should I always be moving on? Do I always
have to?
This new
Distractions album is only their second in 32 years, and like the first is the
least cutting of disappointments after the brace of singles that preceded it.
This new Distractions album is so obviously, immediately The Distractions. I
only saw them play live once – they were long-distance magic for me when young,
and because of that I can welcome them back into my life again (as opposed to
June Brides who I saw any number of times and hence can’t bear the thought of
them reforming all grown apart and separate to myself). Yet how can it be,
after 32 years, that these chiming plangent guitars and melancholy hope of Mike
Finney’s voice are so recognisable? What are the chances of that? You
could point to the slow-burning fuse of emotion that tapers and underpins each
song. But how’s this not a nostalgia trip?
It’s like
they sing on ‘Boots’, “Who’d have thought that coming back would be so
hard?”
It’s like
Sarah Jane said to the Doctor: “You never said goodbye”.
Maybe
this is my chance. No, it’s not that. (Shakes his head impatiently.)...
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